What is a Digital Image?

Digital images are small nodes in a huge net of information.  As they become ingrained in my visual memory, I become compelled to arrange some in artistic ways.  However, there are certain ways that digital images and icons work discretely in our thinking, like the flare of a message on a cellphone, that snaps the viewer to into an action.

I use digital images at a range of scale, from minute or molecular, to human-scale, to pre-visualize arrangements for many of my paintings. I snap photographs of architecture, designed spaces, environmental light, and many human expressions and gestures. The resulting collection is stored in volumes on my computer that I reference often when painting.

Icons, and thumbnail images, and logos are the types of nodes that stick in our highly-accessible memory.  I can react and adapt to my surroundings quickly if digital images are symbolic, such as ordering coffee from a digital menu or separating a list of departures and return flights in an airport terminal monitor. 

I think the creative power of Photoshop could be used more positively by media content makers, and therefore we could promote healthier and more just decisions in the general population.  I agree with Margaret Russell, the editor of Architectural Digest, that an artist shouldn't inject an artificial environment into an image in a convincing way. 

The artist has an obligation to spread the message and illuminate the truth in a photograph. That might involve adjusting the exposure to reveal all the subjects in a photo, rather than shrouding out certain information.  In the case of the fashion industry, light & color can compliment a human figure better than removing it's natural wrinkles. 

I was most impacted by the photo of Lenin addressing the Soviet troops 

I think this is one of the most dangerous capabilities of photojournalist.  Omitting a critical character from a photograph can drastically alter public perception of an event: what happened and who was responsible.