Human Anatomy Mask






Superficial Muscle Anatomy, Head
Fiber, acrylic paint, form-fitted


I was inspired by the Hindu concept of varna, and the temporal nature of human life. Behind the face of each caste, regardless of their social status, is the same anatomy.
Another cultural influence was that of Indonesia, whose masks predate the Hindu and Buddhist culture. The mask below, with origins unknown to me, is designed in the tradition of the Indonesian people, and combines what I believe to be inner and outer features: what looks like a small brain is at center on the forehead, and flesh toned ribbons, or just ornate foliage, adorns the head.  I adopted a similar color scheme in my rendering.

I also sought to emulate a mask similar to the traditional Día de los Muertos.
Día de los Muertos is celebrated internationally, but was designated as a day to commemorate lost family members by the Mexican people, first. 
The principle features of this mask are deep black areas of contrast around bone cavities, such as the eye sockets and the nasal cavity.
My interpretation of this art movement is that the underlying structure of all world human beings is the same: skin and bone.  Life is commemorated for what ripples a human being leaves behind, without the physical presence maintained.


The below images are reference material published by Sarah Simblet, from the book Anatomy for the Artist:



The images below are my early stages of sculpting the mask from Golden brand Fiber Paste, and then the beginning of the painting:









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